Cairo International Airport Museums

Cairo International Airport Museum

Cairo Airport Museums There are two museums that can be found at Cairo International Airport in T2 and T3. The museums offer visitors a glimpse into various periods of Egyptian history with an educational experience showcasing different times, from ancient Egyptian life to the eras of the Romans and Greeks.

Cairo Airport Museum Terminal 2

The idea of establishing a museum in Terminal 2 at Cairo International Airport started in 2020. And that is through starting point, through visitors’ episode, on the ancient history of Egypt. 

The museum in Terminal 2 displays 304 artifacts on an area of 100 square meters, reflecting the ancient Egyptian’s interest in the other world as a place for eternal life, as well as highlighting the artistic features of ancient Egyptian, Roman- Greek, Coptic, Islamic and modern times. The museum also includes pieces highlighting Egypt’s being the cradle of heavenly religions that have gathered under its shadow in peace and harmony.

Cairo International Airport Museum was built in the Ministry of Tourism and Antiquities and Ministry of Civil Aviation in an area of about 100 m2. Museum display expresses luminous touches on the history of Egypt throughout its eras. 

Cairo International Airport Museum displays unique artifacts that highlight artistic and historical features of each era, starting with ancient Egyptian times, in addition to highlighting characteristics of Roman, Coptic, Islamic, and modern-era arts.

Cairo Airport Museum Terminal 3

The Cairo International Airport Museum Terminal 3 was inaugurated in 2016, in the light of the cooperation protocol between the Ministry of Antiquities and the Ministry of Civil Aviation, to serve as the initial introduction to ancient Egypt, and even the window overlooking its iconic monuments and its majestic civilization.

The museum at that time occupied an area of ​​approximately 60 square meters, and 38 objects were displayed in it. In 2020 the museum was transferred from its first location to the fourth floor in the same building, in order to display more objects, as its area occupies about 150 square meters.

The museum currently displays a group of the most prominent objects through which the visitor can experience the incomparable history of Egypt through its various, periods. 

The objects guide the visitor through the different phases of Egyptian history, starting with the pharaonic period, passing through the Greco-Roman period, and also present Coptic and Islamic art, and bring the visitor into the modern period.

Mummy of a Man

The linen bandages are wrapped in an elaborate pattern consisting of rhomboid coffers. This style emerged in the Roman Period, when the art of bandaging mummies reached its peak. 

The head of the mummy is covered with a gilded funerary mask made of cartonnage (a mixture of linen, glue, and plaster). A winged sun disk, symbol of rebirth, adorns the forehead. The eyes and eyebrows are inlaid.

Roman Period, 1st–2nd centuries A.D. Medium: Linen, cartonnage, paint, gold provenance: Faiyum, Fag al-Gamus.

Gold Dinar Coin

On the obverse of the dinar is the name of the Mamluk Sultan Baybars and his title "Qasim is the Commander of the Faithful." Below it an illustration of a lion, representing the ruler. On the reverse is written "in the name of God, there is no god but Allah, Muhammad is the Messenger of Allah." Initially, Muslims used coins minted by the Sassanids and Byzantines. The Umayyad Caliph Abd al-Malik ibn Marwan coined the first dinar bearing Arabic writing in the year 77. The currency hence prevalent in Muslim empires were dinars, dirhams, and copper coins.

Mamluk (7 AH / 13A) 

Medium: gold 

Provenance: Egypt or the Levant.

Winged Isis Statue

A statue of the winged goddess Isis in the shape of a woman whose head is crowned with the Hathoric crown (the sun disk between the cow horns), on a base of uraei. In the ancient Egyptian religious belief, Isis, along with her sister Nephthys, transformed into kites while searching for the body of her deceased husband Osiris. 

It was also in this form that they brought him back to life. For this reason, Isis was revered as a protector of the dead in her winged form that can be seen here. Graeco-Roman Period (332 BC–395 AD). Medium: Bronze. Provenance: unknown.

The Terminal 3 Museum at Cairo Airport features a curated selection of 59 artifacts, offering glimpses into Egypt’s history across ancient, medieval, and modern times. Location: Terminal 3, Fourth Floor Services Available: Gift shop, Wi-Fi, Cafe, Parking, ATM

Imhotep Museum Saqqara

The Imhotep museum was built at Saqqara area in memory of Imhotep - the architect of the pyramidal tomb of King Djoser, and the first to use stone on a large scale for building an integrated hierarchical group. The museum consists of six halls displaying a varied: statues, coffins, paintings, utensils, architectural elements and other excavated objects from Saqqara archaeological site. 

The most distinctive halls in the Imhotep museum are: a complete simulated tomb that displays a mummy, a wooden coffin, and a number of funeral furniture, in addition to a hall dedicated to the memory of the architect and archaeologist Jean-Philippe, who devoted his life to the restoration of King Djoser's pyramid collection.

The Imhotep Museum boasts six expansive halls, each a treasure trove of wonders. Marvel at Ptolemaic mummies, unearthed by the legendary Zahi Hawass during the Pyramid of Teti excavation, or stand in awe of the colossal double statue near Unas complex's causeway, showcasing the 19th Dynasty's High Priest of Mut, Amenemopet, and his wife.

The museum includes the “Saqqara Missions” hall, which displays the results of the Egyptian and foreign missions in Saqqara, and the “Architecture” hall, which displays the architectural elements of the funerary group of King Djoser II, with the aim of showing the splendor of the engineering architecture carried out by Imtaheb.

In the same hall, a bronze statue of the engineer Imhotep is shown, with a shaven head and wearing a necklace with a papyrus in his hands.

The "Saqqara Styles" hall tells about the Saqqara antiquities area's distinction from the rest of the archaeological sites in terms of the presence of distinguished wooden statues, stone statues, utensils, which is considered as a private school characterized by It has Saqqara.

There is a hall called “Saqqara Tombs” that includes a model of a tomb that includes the oldest royal mummy of King “Marnara” son of King Pepi I. It was found in the king’s burial chamber in the south of the Saqqara ruins.

Among the most important artifacts in the museum is the painting of King Unas or Wanis, the last king of the Fifth Dynasty, which is called the “Famine” painting, which tells the story of sending an army to bring stones for King Unas, and the trip was in the desert, and they met a group of Bedouins suffering from famine, The king has been informed of the story of these Bedouins, and the king has ordered to send them food, and the king has ordered the embodiment of that story to the people on a stone inscription, to confirm that the king is kind and merciful.

The museum also includes the “Louer Library” hall, which is the library of the Egyptologist “Jean-Philippe Lauer”, who devoted his life to restoring Djoser’s hierarchical collection for 70 years, and it includes more than 300 books and his personal belongings from the camera, compass, and photographs, and there are graphic panels that speak On Lauer and his works at Saqqara.

Services provided to visitors have also been improved by adding informational signs and interactive display screens showing videos and photos about some of the archaeological discoveries at the Saqqara necropolis. Facilities have been provided for visitors with disabilities, including dedicated restrooms and pathways. Cafeterias and bazaars have been added to the site to enhance the visitors' experience in line with the importance of the museum and the archaeological site as a whole.

Exploring the Sekhmet Head Statues in Luxor Museum

Sekhmet Head statue in Luxor museum 

The Luxor Museum in Egypt is home to some of the most iconic and historically significant artifacts from ancient Egyptian civilization, and among these treasures are the powerful and enigmatic Sekhmet Head statues. Known as the lioness-headed goddess of war, healing, and protection, Sekhmet was one of Egypt’s most revered deities. In this blog post, we delve into the fascinating history, artistry, and symbolism behind the Sekhmet Head statues that reside in the Luxor Museum, revealing why these statues are a must-see for anyone interested in ancient Egypt.

Introduction to the Sekhmet Head Statues

The Sekhmet Head statues are among the most striking pieces in the Luxor Museum. With her fierce lioness face, Sekhmet was both feared and worshipped in ancient Egypt. She represented the fiery aspect of the sun, a protector of pharaohs, and a goddess who could unleash destruction upon enemies or heal those who sought her favor. Her statues are typically found in temples and sanctuaries, crafted to honor her power and to invoke her protection.

In Luxor Museum, the Sekhmet Head statues hold a prominent place due to their historical and cultural significance. These statues were originally part of larger statues and were likely displayed in temples, possibly the Karnak Temple complex, one of the largest religious sites in ancient Egypt dedicated to the god Amun-Ra. The statues are incredibly well-preserved, offering visitors a rare glimpse into the skill of ancient Egyptian artisans and the religious beliefs that shaped their lives.
Artistry and Symbolism of Sekhmet.

Each Sekhmet Head statue in the Luxor Museum reveals remarkable craftsmanship. The lioness head, carved with precise detail, symbolizes Sekhmet’s dual nature as both destroyer and healer. Her features are fierce yet elegant, showcasing the Egyptians' mastery over stone and their commitment to honoring the gods with lifelike and grand depictions. Many statues show Sekhmet wearing the sun disk, a symbol of her connection to the sun god Ra, embodying her role as his powerful daughter.

Visitors can observe the meticulous work on each statue’s headpiece and facial expressions, reflecting the ancient Egyptian belief in divine power embodied within art. The placement of these statues within temples served as a protective presence, with Sekhmet’s gaze watching over worshipers and keeping the temples safe from harm.
Historical Significance of Sekhmet Statues.

The statues of Sekhmet not only represent her as a goddess but also mark an era in Egyptian history where religious devotion was deeply intertwined with art and architecture. Sekhmet was particularly worshipped during the reign of Amenhotep III, who commissioned hundreds of her statues as part of his extensive temple-building projects. Many believe that Amenhotep III’s goal in creating so many statues of Sekhmet was to appeal to her healing powers, as he was rumored to have health issues toward the end of his life.

These statues also remind us of the role that female deities held in ancient Egypt, where goddesses were often seen as powerful protectors and healers. Sekhmet was unique in her ability to inspire both fear and reverence, a duality that made her one of the most complex deities in the Egyptian pantheon.

Why the Sekhmet Head Statues in Luxor Museum Are a Must-See
For visitors to the Luxor Museum, the Sekhmet Head statues provide a profound connection to ancient beliefs, artistry, and spirituality. Unlike the bustling Cairo Museum, Luxor Museum offers a more intimate setting where these statues can be appreciated up close. Each detail, from the expression on Sekhmet’s face to the smooth finish of the stone, transports visitors back to a time when divine reverence was at the core of everyday life.

Seeing these statues in person is an awe-inspiring experience, offering insight into the power and beauty of Egypt’s ancient gods. For anyone interested in Egyptian history, mythology, or art, the Sekhmet statues in Luxor Museum are an unmissable highlight. This blog will guide you through their history, what they represent, and why they hold such a significant place in Egypt’s rich cultural heritage.

Practical Information for Visiting the Luxor Museum
If you’re planning a visit to Luxor Museum to see the Sekhmet Head statues, here are a few tips to make the most of your trip:
    Location: Luxor Museum is situated along the Nile River, providing scenic views and easy access from other major sites.

    Photography Tips: While some areas permit photography, it’s essential to respect museum guidelines and avoid using flash near sensitive artifacts.

Discover Luxor Museum Egypt Ancient Egyptian Journey Artifacts - History

Discover Luxor Museum Egypt

Our exclusive tour of the Luxor Museum in Egypt, a cultural treasure trove that showcases the most breathtaking artifacts from ancient Egypt. Located in the heart of Luxor, the city that was once the grand capital of ancient Egypt, this museum is a must-see destination for history enthusiasts, art lovers, and anyone curious about the mysteries of Egyptian civilization.

we’ll take you through the Luxor Museum’s carefully curated exhibits, where you can explore a vast collection of items spanning thousands of years, from the Old Kingdom to the Greco-Roman period.

We'll unveil the stories behind the statues, sarcophagi, jewelry, pottery, and mummified remains that were once part of the royal lives and beliefs of ancient Egyptians.

What You’ll Discover in This Article Introduction to Luxor Museum:

A brief overview of the museum's history, its importance in preserving Egyptian heritage, and what makes it a standout destination for cultural tourism.

Exclusive Artifacts: View close-ups of rare artifacts, including those found in the tomb of Tutankhamun and other significant pharaohs.

Historical Insights: The daily lives, beliefs, and fascinating customs of the people who inhabited ancient Egypt.

Unique Museum Highlights: Discover the museum's mummification room, sculptures of King Akhenaten and Amenhotep III, and unique pieces from the Karnak Temple and other historic sites.

Scenic Views of Luxor: The museum’s location provides stunning views of the Nile River, with insights on nearby landmarks like Luxor Temple and the Valley of the Kings.

From the moment you step into the Luxor Museum, you are transported back in time. We’ll walk you through each exhibit, revealing the incredible craftsmanship of Egyptian artists and the stories etched into these ancient relics.

Whether you’re planning a trip to Egypt or simply love learning about history from the comfort of home, this video will bring the wonders of Luxor Museum right to you.

Why Luxor Museum is a Must-Visit

Unlike the busier Cairo Museum, Luxor Museum offers an intimate, organized, and immersive experience.

With knowledgeable staff, detailed exhibit information, and carefully restored artifacts, this museum truly brings Egypt's illustrious history to life.

We’ll also cover practical tips on visiting Luxor Museum, including opening hours, ticket prices, and accessibility options.

Join us on this unforgettable journey to uncover the secrets and splendor of ancient Egypt. Whether you’re a history buff, traveler, or simply curious, this guide to Luxor Museum will give you a unique insight into Egyptian culture, art, and mythology.

The Crocodile Museum in Kom Ombo

The Crocodile Museum in Kom Ombo Aswan

The Crocodile Museum is located next to the Kom Ombo temple, north of Aswan. This museum has highlighted the crocodile-headed god Sobek since it was opened in 2012. Its main exhibition hall displays the mummified mummies of Nile crocodiles. The longest crocodile was 4.30 m, while the smallest was 2 m.

In addition to a collection of crocodile fetuses, eyes, and golden and ivory teeth of mummified crocodiles. The museum also shows statues of different sizes of the god Sobek and a tomb model that simulates what was discovered in the Shutb cemetery. It shows the burial methods and the pottery coffins that contained this sacred animal's mummy.

The Crocodile  museum is located on the doorstep of the Ptolemaic Kom Ombo temple on the banks of the Upper Egyptian city of Aswan.

The museum displays 22 mummified crocodiles of various sizes out of forty to have been unearthed in Aswan. The crocodiles are arrayed on a sand hill inside a large glass showcase, allowing visitors to see how crocodiles passed their days in ancient Egypt.

A collection of crocodile coffins and wooden sarcophagi, along with crocodile foetuses and eggs, are also on display, in addition to stelae and statues depicting the crocodile-god Sobek, bearing a human body and the head of a crocodile. Replicas of Sobek’s original tombs and niches are also on display.

Visiting the Crocodile Museum in Kom Ombo provides a unique opportunity to understand the intricacies of ancient Egyptian beliefs and rituals surrounding crocodiles. 

Through artifacts and displays, visitors can explore the fascinating intersection of nature, mythology, and religion in ancient Egypt, shedding light on the spiritual significance of these powerful reptiles in Egyptian culture.

The Famine Stela Sehel Island Aswan

The Famine Stela is an inscription written in Egyptian hieroglyphs located on Sehel Island in the Nile near Aswan in Egypt, which tells of a seven-year period of drought and famine during the reign of pharaoh Djoser of the Third Dynasty.

The Famine Stela was inscribed into a natural granite block whose surface was cut into the rectangular shape of a stela. The inscription is written in hieroglyphs and contains 32 columns.

he top part of the stele depicts three Egyptian deities: Khnum, Satis and Anuket. In front of them, Djoser faces them, carrying offerings in his outstretched hands. A broad fissure, which already existed at the time of creating the stela, runs horizontally through the middle of the rock. Some sections of the stela are damaged, making a few passages of the text unreadable.

The text describes how the king is upset and worried as the land has been in the grip of a drought and famine for seven years, during which time the Nile has not flooded the farmlands. The text also describes how the Egyptians are suffering as a result of the drought and that they are desperate and breaking the laws of the land.

A stone stela is engraved on a rock at the island Sehel, near Elephantine, Egypt, north of Aswan. It was discovered in 1889 by C.E. Wilbour and was deciphered by various egyptologists: Brugsch (1891), Pleyte (1891), Morgan (1894), Sethe (1901), Barguet (1953) and Lichtheim (1973). This stela features three of the most renowned characters of the Egyptian civilization:

• Pharaoh Zoser, around 2,750 BC, built the first pyramid, the Step Pyramid at Saqqara. This monument is claimed to illustrate the invention of building with stone.
• Imhotep, scribe and architect of Zoser’s pyramid, who has been honored and deified for having invented the building with stone.
• God Khnum, the potter who, as in the Bible, is fashioning the bodies of humans and gods with the Nile silt, with clay, in other words processing minerals. 

Called «The Famine Stele», it was engraved during a recent epoch, under the Ptolemees (200 BC), but certain reliable clues have led egyptologists to believe that, in an amplified form it had already become an authentic document by the beginning of the Old Kingdom (2,750 BC).